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Creepy Archives Volume 4
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Manufacturer: Dark Horse
List Price: $49.95
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Pulpy, smart, and scary, the stories in Creepy constituted some of the best short-form horror fiction ever told in comics. With legendary comics writer/editor Archie Goodwin both editing the magazine and crafting most of its storytelling, Creepy was at once a newsstand favorite with fright fans, and a vaunted showcase of fine comics art for serious fans of the art form. For decades, the only sources for these stories were the expensive, collectible, original issues. Now Dark Horse is collecting all of the original material from the history of Creepy magazine into a hardcover archive library that is garnering rave reviews from fans and critics alike!
PRODUCT DESCRIPTIONS:
Binding: Hardcover
Dewey Decimal Number: 741.5973
EAN: 9781595823083
Feature: ISBN13: 9781595823083
ISBN: 1595823085
Label: Dark Horse
Manufacturer: Dark Horse
Number Of Items: 1
Number Of Pages: 240
Publication Date: 2009-06-17
Publisher: Dark Horse
Studio: Dark Horse
FEATURES:
• ISBN13: 9781595823083
• Condition: New
• Notes: BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed
SIMILAR ITEMS:
• Creepy Archives Volume 3 (v. 3)
• Creepy Archives Volume 5
• Eerie Archives, Vol. 2
• Creepy Archives Volume 2
• Eerie Archives Volume 1
CUSTOMER REVIEWS:
True Horror Classics -
It's been some twenty years now or so since hardcover collected archive editions of classic comic books came into vogue. Some of these titles did easily deserve the archive treatment...others, not so much. Just because it's old doesn't make it good. There is no debate when if comes to Warren's classic horror magazines of the 1960s and 70s. Creepy, Eerie, and Vampirella are three of the most influential horror magazines ever produced. They not only gave a forum to some of the most talented artists in the business, but without them, we'd have had little more than comics code-watered down books to read back then.
Dark Horse continues to republish Creepy magazine in its entirety with letter columns and advertisements included. This fourth volume collects issues #16 - 20 of the series. It all starts with a fantastic cover by Gray Morrow (doing his best Frazetta take). The opening story, "A Curse of Claws" presents art by one of the all-time greats, Neal Adams with a story written by the late Archie Goodwin. An arrogant hunter goes off on his own in a hunt for big game in the jungle and finds more than he bargained for when he encounters a beast-controlling witch.
Early Spider-Man artist Steve Ditko provides a tale about, what else...a comic book artists whose monstrous drawings come to life to threaten him and his new bride. Joe Orlando provides the art in a seven page adaptation of "The Mummy's Hand", the 1940 Universal horror film that was the first (and best) of five mummy films made by the studio in the 1940s. Orlando does a brilliant job of capturing the likenesses of stars Dick Foran and George Zucco, as well as Tom Tyler who played the Mummy.
Reed Crandall, a great veteran artist from the EC Comic days has a couple of stories in this volume including his take on Frankenstein in "Footsteps of Frankenstein". A doctor arrives at a quaint English village looking for the shunned Dr. Sebastien and his monstrous creation. There is also an adaptation of Joseph Sheridan Le Fanu's classic vampire novel "Carmilla".
The good is that most of the stories in this volume were written by Archie Goodwin. Goodwin grew up on EC comics as a kid and no writer had a better feel for capturing the tone of EC Comics than Goodwin. The bad is that the quality of art started to go down here. If you talk to artists who worked for Warren back then they will to a man tell you stories about how cheap Bill Warren could be and soon some of the major talents that worked on early issues of Warren's magazines began to leave. There is only one Frazetta cover (Issue #17) and a lot of the art was done by lesser names such as Sal Trapani, Maurice Whitman, Roger Brand, and other artists who Warren could get cheap. Thankfully most of Goodwin's stories are able to rise above the mediocrity of some of the art.
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CREEPY IS AS CREEPY DOES -
The great CREEPY tradition continues in this fourth volume, bringing us the last two issues of 1967 and the first three of 1968. As with the previous volumes, the presentation of the artwork is crisp, the cover artwork is presented full-size and in creepy living color, and, best of all, this edition features a lengthy interview with writer Archie Goodwin as the foreward. The one drawback is that four stories which would have been "reprints" from previous issues are not included. Instead, Dark Horse chose to simply reference their position in the previous volumes. This is too bad. Better, I think, to publish all the issues intact and not presume that readers will have access to the earlier books.
That said, this volume still has tons of new stories and offers a rich variety of drawing styles. As one might expect, the zombies, vampires, werewolves, and other assorted sundry creatures of the dark make their appearances; often in some very chilling ways. Two issues do include reprints from Eerie, which I appreciate, rather than assuming I have the Eerie editions, too. This "special guest" appearance, although perhaps a way for the original publication to save money, does hearken back to the EC days when the Cryptkeeper begrudgingly shared his pages with his equally insidious EC cohorts. (By the way, if you have a chance to get the old EC Archives...do it!)
I've purchased all the CREEPY Archives available and have yet to be disappointed. All the books have arrived carefully packaged by Amazon and in very good condition. If you're a fan of CREEPY, don't hesitate. Get your copy while you can.
The Best is yet to come -
Yes I agree with most readers here:
1) These Warren Reprints are a treasure, but the distribution is as slow as the remakes of Gunsmoke on DVD - must be the same moronic business executives.
2) These short stories bring back fun memories analogous to the old amusement park (like in Grease) instead of the "blow away policeman" in Grand Theft Auto video games.
3) This book is quality bound and I would like Dark Horse to look into bringing back Vampirella reprints as well - another Warren gem.
4) I've collected a lot of the later issues and enjoy the reprints where I can share them with my teenage kids - again, some clean fun a second time around.
Although I reread the stories with a different perspective, being much older now, it's fun to see how the art and stories may have influenced many a show and movie over time. I'll keep collecting these volumes as long they keep producing them. As far as chopping up this volume, it's just perplexing how some business's just don't get it - cut quality and make a quick buck in the short run, loose out in the long run. Sounds like another ironic ending for a future Creepy/Eerie story.
incomplete??? -
So far, I've been very happy with these Creepy Archives collections. A great chance to see what I origionally missed, as I started reading the original series from about issue # 50.
But, what's up with this book? Creepy #20, the last issue of this collection, is supposed to feature 6 stories, two of which are in this book. The rest is missing.
My book has a total of 240 pages - that's also what is says here,in the Amazon product description. So my copy can't be a mis-print.
If I had known, I don't think I would have ordered this book.
siep
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Reprints in that volume?? -
While I am glad that Dark Horse is printing those classic Warren magazines...there are over 50 pages of reprints in this volume, which already appear in previous volumes, it is not a good idea to include those stories that already appear in those earlier volumes.
Instead of those repeating stories, it would be a good idea to note those stories as appearing in an earlier volume-whether it is Creepy or Eerie. Ideally, all future volumes should have no repeating stories-so not to waste my money. Nobody wants to reread those stories in another volume-so think about that, Dark Horse!! (and save the trees)
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